Soft or Spiky?

Directed by Daryl Beeton

Polka Theatre & UK tour

https://youtu.be/dPpzfeYWb98?feature=shared

Director - Daryl Beeton

Composer - Miss Jacqui

Designer - Ingrid Hu

Lighting Designer - Jonathan Chan

Stage Manager – Lucy Geevee

Assistant to the Director – Eddie HM

PERFORMER

Stacha Dukic

Photography by Steve Gregson

Devised and directed by Daryl Beeton, Soft or Spiky? is a Half Moon and Polka Theatre co-production: an exciting collaboration by two of the UK’s leading children’s venues and touring companies.

This playful and interactive show is full of shapes, sounds and textures, exploring different ways to connect and understand each other.

Inspired by heartfelt conversations with new parents, this humorous production explores the multiple ways we communicate, ensuring that no one is left out.

 


Glorious!

Directed by Kirk Jameson

Hope Mill Theatre, Manchester

Writer - Peter Quilter

Director - Kirk Jameson

Musical Supervision - Nick Barstow

Scenographer & Costume Designer - Ingrid Hu

Lighting Designer - Mike Robertson

Sound Designer - Mark Goggins

Wig Designer - Helen Keane

Costume supervisor - Lorraine Parry

Italian translation & dialect coach - Judith Blazer

CAST

FLORENCE - Wendi Peters 

COSMÉ - Charlie Hiscock

MARIA/DOROTHY/MRS VERRIDER-GEDGE - Anita Booth

Photography by Cian O’Riain

 

Set in 1940s New York, Glorious! follows Florence, a wealthy socialite with a dream of operatic stardom. Despite a complete lack of vocal skill, her exuberant and wildly off-key performances earn her a devoted following—culminating in a concert of a lifetime at Carnegie Hall.

Starring Wendy Peters (Coronation Street, ITV; Hetty Feather, CBBC), this witty and uplifting show charts the unlikely rise of a woman whose passion for music far outweighed her ability to sing in tune.

At the heart of the story is her relationship with pianist Cosme McMoon, played by Charlie Hiscock (Ted Lasso, Apple TV+), who finds himself caught between admiration, frustration and reluctant loyalty as he helps bring her vision to life.

 

★★★★

‘Ingrid Hu’s design is seriously impressive. Jenkins’ period apartment, complete with vintage furniture and opera posters on flock wallpaper, is transformed effortlessly into a bare recording studio.’ (North West End Theatre)

★★★★

‘Ingrid Hu’s settings and costumes are simply but exquisitely done and are very evocative of the 1940s era.’ (Musical Theatre Review)

★★★★

‘Ingrid Hu’s set, which – unusually for Hope Mill Theatre – includes a front-of-house curtain, is handsome and quite formal, which suits the structure of Quilter’s play as the action is divided into four distinct scenes building up to Foster Jenkins’ triumphant final concert.’ (The Stage)

‘Unusually for Hope Mill each scene is separated by the closure of a theatre curtain. The gradual unveiling allows the audience to appreciate fully the sophistication of Ingrid Hu’s stage set. Moving from a discreet sitting room and recording studio to a very impressive silk-screened recital area.’ (The Reviews Hub)

‘Ingrid Hu’s costume design was fantastic. Timely, glamorous and believable. This, together with the set design, brought the audience into the 1940s.’ (All That Dazzles)


Curiouser

Norway and UK tour

https://youtu.be/higH_XgD7yU

Performers - Gerd Elin Aase (dybwikdans), Luke Birch (Flexer & Sandiland), understudy Marie Ronold Mathisen (dybwikdans)

Choreographers - Siri Dybwik, Yael Flexer

Digital artist - Nic Sandiland

Animator - Per Dybvig

Composer and Dramaturg - Nils Christian Fossdal

Set designer - Ingrid Hu

Costume designers - Siri Dybwik and Ingrid Hu

Lighting design/production management - Natalie Rowland

Photography by Morten Berentsen

2018

RAS Sandnes Kulturhus, Norway

Varen Randaberg Kulturscene, Norway

The Lowry Salford

Ideas Test at GlassBox Theatre, Gillingham

The Place Theatre, London

Brighton Festival

A digital dance show for ages 3-6 by Flexer & Sandiland in collaboration with Norwegian company dybwikdans.

Guided by two friendly dance-performers, adults and children delve into magical caves, explore leafy forests, soar through starry night skies, and meet playful characters; loosely inspired by the children’s classic Alice in Wonderland.

This is an interactive dance performance where audiences can choose to sit back and watch or get up and get involved. The performance incorporates animated hand-drawn projection, dance, sound, text and interactive digital objects, creating an intimate yet spectacular experience.